Simon & Schuster
June 2, 2016
Hardcover
272
For fans of The Language of Flowers, a sparkling, big-hearted, page-turning debut set in the 1970s about a young black boy’s quest to reunite with his beloved white half-brother after they are separated in foster care.
Leon loves chocolate bars, Saturday morning cartoons, and his beautiful, golden-haired baby brother. When Jake is born, Leon pokes his head in the crib and says, “I’m your brother. Big brother. My. Name. Is. Leon. I am eight and three quarters. I am a boy.” Jake will play with no one but Leon, and Leon is determined to save him from any pain and earn that sparkling baby laugh every chance he can.
But Leon isn’t in control of this world where adults say one thing and mean another, and try as he might he can’t protect his little family from everything. When their mother falls victim to her inner demons, strangers suddenly take Jake away; after all, a white baby is easy to adopt, while a half-black nine-year-old faces a less certain fate. Vowing to get Jake back by any means necessary, Leon’s own journey—on his brand-new BMX bike—will carry him through the lives of a doting but ailing foster mother, Maureen; Maureen’s cranky and hilarious sister, Sylvia; a social worker Leon knows only as “The Zebra”; and a colorful community of local gardeners and West Indian political activists.
Told through the perspective of nine-year-old Leon, too innocent to entirely understand what has happened to him and baby Jake, but determined to do what he can to make things right, he stubbornly, endearingly struggles his way through a system much larger than he can tackle on his own. My Name Is Leon is a vivid, gorgeous, and uplifting story about the power of love, the unbreakable bond between brothers, and the truth about what, in the end, ultimately makes a family.
Review:
“My Name is Leon” is a difficult book to rate. There are so many important elements but something lacking in the actual telling.
The heart of the story is Leon and his love for his brother, Jake. Taken away from a neglectful mother, Leon is left to navigate the foster care system on his own. One chapter was so heartbreaking that it had me sobbing. The third person limited point-of-view is an interesting choice, and in some ways it worked, but I feel like it actually kept the reader distant from Leon at many pivotal points. Since the main point was to show how he understood and saw his world, it was disappointing to feel so far removed from him.
The social issues facing minorities in the United Kingdom during the late 1970s/ early 1980s also featured prominently in the story. With Leon being mixed race, he was a good character to show the reactions of both “sides.” Since this is still a problem most countries are struggling with, it was very poignant. However, it really muddled the foster care aspect of the plot. I feel like too much was trying to be done in one novel, and that dragged both plotlines down.
I can neither recommend nor not recommend “My Name is Leon.” If it sounds interesting to you, give it a try.
This honest review is based upon a complimentary copy provided by the publisher.
Content Warning:
Language, Vague Sexual References, Violence, Alcohol Abuse, Racial Slurs
