With shades of The Hunger Games, Ender’s Game, and Game of Thrones, debut author Pierce Brown’s genre-defying epic Red Rising hit the ground running and wasted no time becoming a sensation. Golden Son continues the stunning saga of Darrow, a rebel forged by tragedy, battling to lead his oppressed people to freedom. As a Red, Darrow grew up working the mines deep beneath the surface of Mars, enduring backbreaking labor while dreaming of the better future he was building for his descendants. But the Society he faithfully served was built on lies. Darrow’s kind have been betrayed and denied by their elitist masters, the Golds—and their only path to liberation is revolution. And so Darrow sacrifices himself in the name of the greater good for which Eo, his true love and inspiration, laid down her own life. He becomes a Gold, infiltrating their privileged realm so that he can destroy it from within. A lamb among wolves in a cruel world, Darrow finds friendship, respect, and even love—but also the wrath of powerful rivals. To wage and win the war that will change humankind’s destiny, Darrow must confront the treachery arrayed against him, overcome his all-too-human desire for retribution—and strive not for violent revolt but a hopeful rebirth. Though the road ahead is fraught with danger and deceit, Darrow must choose to follow Eo’s principles of love and justice to free his people. He must live for more. Advance praise for Golden Son “Pierce Brown is a prodigy. As great as the first book of the Red Rising Trilogy is, Golden Son is even better. A wild ride full of suspense, intrigue, and serious ass-kicking bravado, it’s expertly written and emotionally engaging, with top-notch universe-building that begs for further exploration. I want more!”—Christopher Golden, New York Times bestselling author of Snowblind “The stakes are even higher than they were in Red Rising, and the twists and turns of the story are every bit as exciting. The jaw-dropper of an ending will leave readers hungry for the conclusion to Brown’s wholly original, completely thrilling saga.”—Booklist (starred review) “Dramatic . . . the rare middle book that loses almost no momentum as it sets up the final installment.”—Publishers Weekly “Darrow is an assertive hero. . . . Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both.”—Kirkus Reviews Praise for Pierce Brown’s Red Rising “[A] spectacular adventure . . . one heart-pounding ride . . . Pierce Brown’s dizzyingly good debut novel evokes The Hunger Games, Lord of the Flies, and Ender’s Game. . . . [Red Rising] has everything it needs to become meteoric.”—Entertainment Weekly “[A] top-notch debut novel . . . Red Rising ascends above a crowded dystopian field.”—USA Today “Compulsively readable and exceedingly entertaining . . . [a] must for both fans of classic sci-fi and fervent followers of new school dystopian epics.”—Examiner.com “A story of vengeance, warfare and the quest for power . . . reminiscent of The Hunger Games and Game of Thrones.”—Kirkus Reviews “Fast-paced, gripping, well-written—the sort of book you cannot put down.”—Terry Brooks From the Hardcover edition.
Review:
The first thought I had when I finished reading “Golden Son” is that there is no way I can wait an entire year to find out what happens next. My second thought was a mass of self-pity that I have no choice but to wait. Finally, my third thought was that it was an amazing follow-up to “Red Rising” and was actually even better than the first in the series.
Pierce Brown has built an amazing world and mythology for the Red Rising series. Everything is fully fleshed out and even when not explicitly written, you can tell he has a backstory in mind for all of the races. It’s a pleasure whenever you find out more, and at no point does it contradict anything that was previously written.
One of my favorite aspects of the characters in “Golden Son” is that none of them are perfect. Darrow, the protagonist, is extremely flawed. No character is good or bad, even those who are the clear villains of the story. All of the characters from “Red Rising” experienced a great deal of growth in “Golden Son”, with many not taking a route you would expect. There were some particularly bold moves by the author when it comes to Eo, but I will leave those for the reader to discover on their own.
At no point does the plot lag, and that is saying quite a bit for a novel the length of “Golden Son”. It is filled with war, adventure, gore, fantasy, science-fiction, romance, and anything else you can fit into a book. If you are a fan of “Red Rising”, make sure you clear a couple of days on your calendar, because you will not want to put this one down. If you have never read the first in the series, I highly encourage you to do so and to be certain you have “Golden Son” ready to begin as soon as you finish the last page of “Red Rising”.
In short, I highly recommend “Golden Son”, but do need to caution that it is not for the squeamish. It is also not a young adult novel, though I saw “Red Rising” categorized in many places as such, so that is something for parents of middle readers to keep in mind.
5 stars all the way.
This review is based upon a complimentary copy provided by the publisher in exchange for an honest review.
Content Warning:
I generally only do these for young adult books. However, this book is extremely violent and gory, and it does have just about every adult theme imaginable. You have been warned.
Tara Jenkins and Justin Westcroft used to be childhood BFFs. Now in high school, Justin’s a popular, all-star athlete, and Tara spends her days admiring him from afar. But when Tara saves Justin from nearly drowning in a freak accident, he’s unable to get her out of his mind. In no time at all, Tara and Justin fall deeply in love. And even though it’s only high school, they seem destined for a Happily Ever After.
Until tragedy strikes—and this time, Justin’s not so lucky. Tara passes through her days as a shell of her former self: Justin’s dead, but she can still feel his presence, and she can’t seem to let him go.
But there’s a reason for that, and it’s not just grief: Justin is In Between, and he’s still holding on.
They say that when someone saves you, you’re tied to them for life. But what about the afterlife?
Review:
I really did want to enjoy “The In Between”, with the description of a romance combined with a unique idea of the afterlife sounding very intriguing to me. Unfortunately, after a promising beginning, it went off of the rails and turned into a chore to read.
There were many inconsistencies in the plot and characters. The age difference between the main character and her sister changed at least three times, and all of the qualities of the main character that were previously developed in the first two-thirds of the novel were completely thrown out to force her personality to fit in with the plot.
Also, one of my pet peeves is any novel that portrays an overbearing love interest as something to aspire to in romance. It’s bad enough in adult fiction, but I hate it even more in novels meant for young adults. “The In Between” is a particular offender in this category, with an extremely selfish boy who is, quite literally, defined as the epitome of perfect and pure love. I don’t want to spoil the plot, but he was pretty much willing to do anything for his own wants, and then the plot seemed to bend to make him the hero. It was more than a little off-putting and the reason I gave the book one star instead of two.
The plot itself is excessively busy. Around the halfway mark the “in between” portion seems to turn into its own novel with a host of characters and various plotlines that are introduced and then either left unresolved or brought to an abrupt, not to mention contrived, conclusion. It feels like the author wanted every story she ever thought of to be crammed into one book. One plot had so little to do with the other that I do not think it would have even worked if stretched into an entire series.
I cannot recommend “The In Between”. The ideas in it could have made for two interesting novels, but the combination and execution simply did not work.
This review is based upon a complimentary copy provided by the publisher in exchange for an honest review.
Content Warning:
Language, Violence, Sexual Situations, Bullying, Eating Disorders
Theodore Finch is fascinated by death, and he constantly thinks of ways he might kill himself. But each time, something good, no matter how small, stops him.
Violet Markey lives for the future, counting the days until graduation, when she can escape her Indiana town and her aching grief in the wake of her sister’s recent death.
When Finch and Violet meet on the ledge of the bell tower at school, it’s unclear who saves whom. And when they pair up on a project to discover the “natural wonders” of their state, both Finch and Violet make more important discoveries: It’s only with Violet that Finch can be himself—a weird, funny, live-out-loud guy who’s not such a freak after all. And it’s only with Finch that Violet can forget to count away the days and start living them. But as Violet’s world grows, Finch’s begins to shrink.
Review:
I can summarize my thoughts on “All the Bright Places” by saying that this is a book that anyone in the upper middle grades and up absolutely needs to read, including adults. It may be one of the most important books written in this decade, and I will be extremely disappointed if I don’t see it start popping up on school reading lists within a year.
The writing, complete with witty dialogue and two distinct narrator voices, is witty and solid. You feel in the moment along with them, as opposed to reading about their own moment. The characters are well-developed when they should be and not developed when they should not be. That sentence makes little sense before you read it, but please keep it in mind when you get to the end.
Jennifer Niven is a brave woman with bold and risky decisions concerning the plot, and all of those decisions come together to form a masterpiece. I can’t say much else, because the journey is the most important part of “All the Bright Places”, so I do not want to inadvertently spoil even the smallest of moments. I will say that it is a story that will most likely stay with you for life.
In short, here are three things I know to be true about “All the Bright Places”:
Five stars in this instance needs to be rounded up to 500. Please read it, and please take its messages to heart.
This review is based upon a complimentary copy provided by the publisher in exchange for an honest review.
Content Warning:
Language, Violence, Sexual Situations, Talk of Suicide and Self-Harming
When I was twenty-five years old, it came to my attention that I had never had a girlfriend. At the time, I was actually under the impression that I was in a relationship, so this bit of news came as something of a shock. Why was Josh still single? To find out, he tracked down each of the girls he had tried to date since middle school and asked them straight up: What went wrong? The results of Josh's semiscientific investigation are in your hands. From a disastrous Putt-Putt date involving a backward prosthetic foot, to his introduction to CFD (Close Fast Dancing), and a misguided "grand gesture" at a Miss America pageant, this story is about looking for love-or at least a girlfriend-in all the wrong places. Poignant, relatable, and totally hilarious, this memoir is for anyone who has ever wondered, "Is there something wrong with me?" (Spoiler Alert: the answer is no.)
Review:
All I really want to write about “We Should Hang Out Sometime” is a bunch of keyboard slamming with “EVERYONE NEEDS TO READ THIS NOW” at the end of it. Oh, and a whole bunch of “lols”. It really is that good, and Josh Sundquist is a master storyteller.
The book is a somewhat scientific exploration of all of the author’s failed relationships and an attempt to find out where, exactly, they went wrong. He is a Christian homeschooled amputee with a nerdy side, making him atypical in many ways, but I dare anyone not to find parts of the story that they feel do not come straight out of their own lives. This is where Sundquist’s genius comes in: He can make us all relate to him, and therefore learn from him. I, by the way, fell (and still do) solidly in the “let me make a flowchart to minimize the pain of rejection during a social interaction” category. But I digress.
There are a lot of laughs in “We Should Hang Out Sometime”, including some of those uncomfortable “should I be laughing at this?” moments. My advice is to go with it, because trying to keep it in will hurt. It isn’t only words. There are hand-drawn charts graphs that are worthy of being made into posters illustrating many key points.
By the end of the book, the Josh Sundquist has shown remarkable growth as a person and managed to teach us some very good inspirational life lessons. An excellent, and important, read for middle readers through adults.
So, in closing: Mr. Sundquist, we should hang out sometime. (But not in that way.)
This review is based upon a complimentary copy provided by the publisher in exchange for an honest review.
Content Warning:
Mild Language, Mild Sexual Situations, Risk of Urinary Incontinence While Laughing
In addition to the P-38, there are four gifts, one for each of my friends. I want to say good-bye to them properly. I want to give them each something to remember me by. To let them know I really cared about them and I'm sorry I couldn't be more than I was--that I couldn't stick around--and that what's going to happen today isn't their fault. Today is Leonard Peacock's birthday. It is also the day he will kill his former best friend, and then himself, with his grandfather's P-38 pistol. Maybe one day he'll believe that being different is okay, important even. But not today.
Review:
If there is any book that is important to read, it is “Forgive Me, Leonard Peacock” by Matthew Quick.
I feel like I could hit a character limit for reviews simply by listing all of the life lessons to be found in the book, but I will try to keep it at a minimum. It gives excellent insight into the mind of someone who feels they have nothing left to live for, as well as all of the attempts made at reaching out that go unnoticed by most. However, it also makes it very clear that someone does care, even though Leonard may not know it at the time. There is another hugely important issue raised that is very seldom touched on and took quite a bit of bravery to tackle as bluntly as it was, but I don’t want to spoil what happens. Trust me when I say that it will make you think.
The characters are all very quirky and well-written, which is typically the case in anything written by Matthew Quick, and I really appreciated that Leonard is an extremely flawed character. All too often books for young adults tend to portray a victim of bullying and/or someone with suicidal tendencies as being a perfect human being. That is not the case here, nor is it the case with any person on earth. It makes the entire story even more relatable by keeping it realistic.
The writing flows well, and given its subject matter, it is an incredibly quick read. However, the story will stay in your mind long after “Forgive Me, Leonard Peacock” ends.
Everyone should read “Forgive Me, Leonard Peacock”. I know that I will think more carefully about those around me and look for signs of distress, and I hope that others will, as well.
Content Warning:
Language, Sexual Situations, Violence, Suicide, Rape